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” This jointly authored review of Boris Charmatz’s If Tate Modern Was Musée de la Danse?(2015) inaugurates a new initiative, spearheaded by the editorial board of caa.reviews, to review...Chaz's Journal | by Chaz Ebert An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
Full Review [See the multimedia version on Scalar.] Unauthorized Performance in the Turbine Hall Boris Charmatz’s If Tate Modern Was Musée de la danse?
transformed Tate Modern’s Turbine Hall into a space for the display of movement.
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In fact, immediately prior to drafting these remarks, I noticed a headline on asking, “Can an algorithm determine art history’s most creative paintings?
” I was only curious enough to skim a paragraph or two, yet surely many of us sympathize with the convergence it represents. Full Review In the time since Sarah Blake Mc Ham lamented the relative dearth of scholarship on Italian Renaissance sculpture in her introduction to Looking at Italian Renaissance Sculpture (New York: Cambridge University Press, 1998) (click here for review), the field has been enriched by a number of voices and publications, as well as the application of new interpretive methodologies.Led by the enticing sets of DJ Oneman and DJ Jonjo Jury,...Full Review Re-Views: Field Editors’ Reflections caa.reviews Today marks a historic moment for caa.reviews, because with our fourth installment of “Re-Views: Field Editors’ Reflections” the journal is acknowledging its commitment to reviewing scholarly books about African, African American, and African Diaspora art.Festivals & Awards by Chaz Ebert An article about New Zealand filmmaker Taika Waititi receiving the Ebert Director Award at the annual Toronto International Film Festival during the TIFF Tribute Gala Awards.Festivals & Awards The Ebert Club is our hand-picked selection of content for Ebert fans.Poe particularly relished his prolonged critical war with Henry Wadsworth Longfellow, Professor of Modern Languages at Harvard and America’s most respected poet of the nineteenth century, whom he accused of conventionality and plagiarism.The skirmishes in this campaign are represented here in full.Poe wrote many articles describing the literary world in which he circulated: “The Literati of New York,” the “Editorial Miscellanies” from the Broadway Journal, “Some Secrets of the Magazine Prison-House,” and his long-running series “Marginalia.”Also included are a wealth of articles on a wide variety of topics: South Sea exploration, cryptography, drama, geography, music, transcendentalism, phrenology, ancient languages, and modern cities.As a reviewer Poe was direct, discriminating, and feared; as an essayist he was alert to any possibility that in literature there might be found a sense of unity missing from life.Here are all his major writings on the theory of poetry, the art of fiction, and the duties of a critic: “The Rationale of Verse,” “The Philosophy of Composition,” “The Poetic Principle,” and “About Critics and Criticism.” Articulating Poe’s passion for technical proficiency and his theory of poetic method, these essays show why he so strongly influenced the French symbolists toward the end of nineteenth century and, through them, the poetry of T. Here also are reviews of long-forgotten writers, reviews that are interesting not so much for their subjects as for Poe’s unflinching and witty candor.Many of his then controversial judgments have been vindicated by time.